
Miami City Ballet: An ExhibitionEdward Villella | Costume Designs and Costumes Scenic Design Toby Lerner Ansin, Founder | New Building Main Menu |
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EDWARD VILLELLA
1 [Color
Photograph] To Edward Villella, with
2 [AWARD]
THE JOHN F. KENNEDY
3 [AWARD]
TO EDWARD VILLELLA WITH
4 [AWARD]
FLORIDA ARTISTS HALL OF
5 [AWARD]
THE KENNEDY CENTER
6 [AWARD]
CRITICS AWARDS, 1994:
7 [AWARD]
MIAMI CITY BALLET: WINNER,
8 [AWARD
CERTIFICATE] THE PRESIDENT OF THE
9 [PHOTOGRAPH]
[EDWARD VILLELLA AND
10A&B
[PHOTOGRAPHS]
11 [PHOTOGRAPH]
[EDWARD VILLELLA IN A 1972
12 [PHOTOGRAPH]
[EDWARD VILLELLA IN A 1969
13 [PHOTOGRAPH]
[EDWARD VILLELLA IN A 1969
14 [PHOTOGRAPH]
[EDWARD VILLELLA WITH
15 [PHOTOGRAPH]
[EDWARD VILLELLA BACKSTAGE
16 [PHOTOGRAPH]
[JEROME RObbINS REHEARSING
17 [PHOTOGRAPH]
[EDWARD VILLELLA AND
18 [BOOK]
VILLELLA, EDWARD
19 [MANUSCRIPT]
VILLELLA, EDWARD
20 [PHOTOGRAPH]
[EDWARD VILLELLA AND STANLEY WILLIAMS]
All items belong to Miami City Ballet unless otherwise indicated.When appropriate, the format appears first, followed by the artist/author, title, place of publication, publisher, date of publication, pagination, media, size (height by width by depth) and notes. Top of Page |
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BALLETSDANZALTA, 1991.
PAN NUIT SUITE, 1993
GEORGE BALANCHINE'S THE
NUTCRACKERTM , 1990 (1954 NEW YORK CITY BALLET)
STARS AND STRIPES, 1998
(1958, NEW YORK CITY BALLET)
21 [COSTUME]
MORALES, HAYDÉE
22 [COSTUME]
MORALES, HAYDÉE NUTCRACKER. [PROMOTIONAL COSTUME]
23 [COSTUME]
MORALES, HAYDÉE NUTCRACKER: CHINESE HEADDRESS, 2ND ACT,
CANDY LAND.
24 [COSTUME]
KARINSKA COSTUME SHOP,
25 [COSTUME]
KARINSKA COSTUME SHOP
26 [COSTUME
DESIGN] MORALES, HAYDÉE
27 [COSTUME
DESIGN] MORALES, HAYDÉE
28 [COSTUME
DESIGN] MORALES, HAYDÉE
29 [COSTUME
DESIGN] MORALES, MARIA
30 [COSTUME]
MORALES, MARIA
31 [POSTER]
MIAMI CITY BALLET: GEORGE BALANCHINE'S THE NUTCRACKER.
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Scenic DesignDick Carter, Production Director Scenery Designs and Ballet
Danzalta, 1991
32 [Scenic design]
Darling, Robert
33 [Scenic design]
Darling, Robert
34 [Scenic design]
Darling, Robert
35 [Scenic designs]
Darling, Robert
36 [Scenographic model]
Darling, Robert
37 [Letter] Cobalt
Studios. Paper and ink
38 [Scenic design] Arditti,
Carlos
39 [Scenic design]
Arditti, Carlos
40 [Scenic design]
Arditti, Carlos
41 [Scenic design]
Arditti, Carlos
42 [Dolls] [Otavalo
Indian Dolls in carrying case].
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Toby Lerner Ansin, Founder
43 [Letter] [From Toby
Ansin to Edward Villella, May 21, 1985].
44 [Program] Edward
Villella takes a giant leap from the ballet stage . . . to the
artistic direction of the most prestigious new ballet company in
America . . . Miami City Ballet, the pride of South Florida.
45 [Playbill] Miami City
Ballet.
46 [Newspaper article] Toby
Ansin: the spark that ignited Miami's ballet.
47 [Letter] [Letter from
Dianne Bienes to Toby Ansin. Watergate Hotel, Washington, D.C., during
the week of performances of Miami City Ballet at the Kennedy Center].
48 [Photograph] [Company
photograph of the 18 original dancers and Artistic Director, Edward
Villella, and Elyse Borne, Ballet Mistress, August, 1986].
49 [Photograph] [Toby
Ansin and Edward Villella at the opening of Miami City Ballet's new
studios on Lincoln Road, August, 1986].
50 [Newspaper article]
Montee, Kristy
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New Building51 [Architectural drawing]
Arquitectonica Bernardo Fort-Brescia & Laurinda Spear.
52 [Booklet] Arquitectonica.
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